In the absence of effective law enforcement, sexual abuse survivors use traditional healing on Spirit Lake reservation

By Maryanne Golon
WashingtPost
April 9, 2018

https://goo.gl/dPiWiw

Shauncina Lovejoy, 12, hugs her aunt Jada Longie, 39, near the Crow Hill Sun Dance grounds. “I can take you in, my girl …” Jada tells Shauncina. Spirit Lake, North Dakota 2013 Photo by Rena Effendi

Anna’s deer heads. Crow Hill, Spirit Lake, North Dakota 2013 Photo by Rena Effendi

Myrna at her friend Connie’s house. St. Michaels, Spirit Lake, North Dakota 2014 Photo by Rena Effendi

Devil’s Lake surrounding the Spirit Lake reservation is frozen six months out of the year. Spirit Lake, North Dakota 2013 Photo by Rena Effendi

Jada burns sweetgrass to “sage” the kids and cast away evil spirits. St. Michaels, Spirit Lake, North Dakota 2014 Photo by Rena Effendi

Dasan Cavanaugh, 10, has not cut his hair since he was born. St. Michaels, Spirit Lake, North Dakota 2013 Photo by Rena Effendi

On the Spirit Lake Sioux reservation in North Dakota, victims of recurrent sexual abuse turn to spiritual and traditional healing to overcome their pain. The majority of the sex crimes go unpunished, and tribal council authorities do not provide law enforcement or prosecute the offenders.  Photographer Rena Effendi’s haunting portraits and interviews called “Spirit Lake” explore the effects of trauma and the cycle of abuse in a place where poverty, chronic unemployment, addiction, depression and suicide rates are startlingly high. The National Institute of Justice reports that 4 out of 5 Native American women experience violence in their lifetime, and more than half have experienced sexual violence.

Effendi is the $20,000 winner of the 2018 Alexia Foundation professional photography grant to continue her work. The Alexia Foundation, committed to supporting visual storytellers who educate and expose social injustice, has been awarding these grants to top professionals and students for more than 25 years.  Each spring at New York’s Syracuse University, a panel of industry professionals considers scores of proposals in the highly competitive contest.

“I feel so very privileged to be offered this opportunity to go back and continue uncovering these important stories buried under layers of stigma. As a woman and photographer from Azerbaijan who came here looking for answers, I am proud to say these women know now that they can trust me.” Effendi told In Sight. “I hope other survivors will be emboldened to step up and break the taboo. I am also happy and proud to be part of the impressive roster of visual contributors who benefit from the incredible support of this foundation.”