UNITED STATES
The New York Times
By A. O. SCOTT
Published: November 15, 2012
The Rev. Lawrence C. Murphy, a Roman Catholic priest in Wisconsin who died in 1998, appears in old photographs and home movies as an energetic, round-faced man with a warm, friendly, efficient manner. Even without the sinister music that shadows these glimpses of Father Murphy’s benign, banal public activities in the ’50s and ’60s, the viewer of “Mea Maxima Culpa: Silence in the House of God,” Alex Gibney’s new documentary, will suspect that there’s something terrible lurking under the surface.
There was a time, not long ago, when a priest’s devotion to children would elicit a smile of approval rather than a shudder of suspicion and dread. The revelation early in the movie that Father Murphy, who was for many years in charge of a boarding school for the deaf, systematically molested youngsters in his care — scores if not hundreds over the years — is sickening but not especially surprising. A decade of reporting and advocacy has made stories like his distressingly familiar.
“Mea Maxima Culpa” is not the first documentary to present the testimony of victims or to expose the failure of the Roman Catholic hierarchy in dealing with widespread sexual abuse by priests. Kirby Dick’s “Twist of Faith” (2004) and Amy Berg’s “Deliver Us From Evil” (2006) are both important predecessors that link intimate crimes with institutional failures. But the prolific Mr. Gibney, whose other films include “Enron: The Smartest Guys in the Room,” “Taxi to the Dark Side” and “Casino Jack and the United States of Money,” is something of a specialist in the corruptions of power. And he doggedly updates the larger story here, connecting dots that lead, in a trail of denial and cover-up, from the rural Midwest to the Vatican.
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