Mea Maxima Culpa: Silence in the House of God – review

UNITED KINGDOM
The Guardian

Xan Brooks
The Guardian, Thursday 14 February 2013

Alex Gibney’s righteous, exhaustive investigation into child abuse inside the Catholic church arrives in UK cinemas as a kind of unintentional leaving gift for the outgoing Pope Benedict, though it is not one he is likely to relish. In his former role as prefect of the Congregation for the Doctrine of the Faith, Joseph Ratzinger stands accused of knowing everything and doing nothing. On the rare occasions he was forced to publicly acknowledge the scandal lapping at his ankles, his concern was more for the fate of the priests than the children themselves.

The film’s starting point is the case of Father Lawrence Murphy, a serial abuser at a school for the deaf in Milwaukee, Wisconsin, who was eventually called to account by the boys in his care. Murphy’s defence is described as “noble cause corruption”, in that he attempts to spin his abuse into a holy act, casting molestation as a form of sacrament. Or, as he puts it: “There was rampant homosexuality among the boys at that school. And I took their sins upon myself.”

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