UNITED STATES
Variety
James Rainey
Senior Film Reporter
@RaineyTime
It’s been nearly 40 years since “All the President’s Men” turned two young reporters into stars, inspired a generation of young people to become journalists and conferred on the Washington Post Editor Ben Bradlee a national renown.
Now, the best journalism movie since Alan J. Pakula’s classic is coming to theaters and fans of early screenings are hoping “Spotlight,” opening November 6 from Open Road Films, gives a similar boost to journalists and their profession. It could also cement Marty Baron as the 21st century reinvention of Bradlee.
“Spotlight” takes audiences inside the Boston Globe’s 2002 investigation into how that city’s Catholic hierarchy ignored and even enabled priests who sexually abused children. Audiences have been impressed and awards buzz is rising — for the film, director Tom McCarthy and an ensemble cast that includes Mark Ruffalo and Michael Keaton.
But nowhere is early excitement greater than in the hearts and minds of newspaper people, who see in “Spotlight” an authentic and uplifting movie about a business that has been battered by disappearing ad revenue and an epochal shift of readers to alternative platforms.
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