UNITED STATES
The Pilot
FATHER ROGER J. LANDRY
Tuesday, November 17, 2015
Last week I was asked by a 25-year-old co-worker whether I was intending to see Spotlight, the movie detailing The Boston Globe’s investigative team’s month’s long Pulitzer-prize winning examination of the clergy sexual abuse of minors in the Archdiocese of Boston. She wanted to see the movie’s portrayal of the Church but worried whether doing so might be subsidizing anti-Catholicism.
I was planning to go to see the movie, I told her, both so that I might be able to respond to the various questions I was being asked by those who had already seen it as well as out of a sense of witness and reparation. When she asked me to elaborate about the latter, I said that I thought it would be important for movie-goers to see a priest to convey that the Church isn’t in denial about the evils committed and also to give them an opportunity to focus their anger if they should choose.
“You’re going to go dressed as a priest?,” she exclaimed, evidently worried about my safety. I replied that for a priest, clerical garb is like a wedding ring for married people, an external sign of sacramental identity, and that I had no desire to go undercover. Since 2002, I told her, I had gotten used to the occasional opprobrium, unprovoked insults, and, on a few occasions, spittle that have come to priests as a result of the abominations of some of our brothers, but that it’s important for priests to be able to take that suffering as co-redeemers with Christ, offering whatever comes up for victims and for the Church.
“Well, can I at least come with you?,” she protectively asked. I told her that that last thing that people needed was to see a priest accompanied by an attractive young woman to a movie on Saturday night!
So alone I went to see Spotlight, plopping down $15, the going rate for movies in Manhattan. I was surprised to see the rather large theater half-full for a 6 pm showing and, although no one should be startled to see young people at a movie on a Saturday night, I was somewhat shocked that so many older teens and young adults had chosen to come to a movie about journalists covering clergy sex abuse when there were 15 other theaters simultaneously showing more traditional Hollywood fare.
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