Screenwriters on writing

UNITED STATES
Los Angeles Times

The film “Spotlight,” which depicts the Boston Globe’s investigative reporting team — nicknamed Spotlight — uncovering the local Catholic Church’s coverup of sexual abuse within its ranks, was co-written by Josh Singer and director Tom McCarthy. Here’s their take on how the script came together.

Josh: For us, the story of “Spotlight” starts in 2001 with the actual Spotlight team nailing the story of a systematic coverup of clergy sex abuse in Boston. Of course, one might argue that the story began before that, with the [former priest James R.] Porter case in 1992. Or even before that, with Richard Sipe and the research he started doing in the late ‘60s. So, I guess it’s not surprising that as our story moves forward, it also reaches back, pulling up moments from the past in order to shine a light on the present.

Tom: Now you’re going to say that’s what a journalist does.

Josh: Well, it’s kind of what a journalist does. But what I was getting at is that, for me, our story starts on Kosciuszko Circle, the rotary in Dorchester, trying to figure out which turnout was Morrissey Boulevard, the road that would take us to the Boston Globe for the first time.

Tom: We’d both spent time in school in Boston but there we were, totally lost, trying to find the Globe.

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