Vanier, Rupnik, Ribes… Can we distinguish the work from its author?

The thorny question of what to do with the works of celebrated Church artists, writers and founders who have since been found guilty of sexually abusing vulnerable people

A book came out in 2020 (Prêtres et artistes du diocèse de Lyon: XXe-XXIe siècles) painted a a glowing portrait of the French Catholic priest and artist Louis Ribes (1920-1994), who was nicknamed “the Picasso of churches”. But less than two years later three dioceses – Lyon, Saint-Étienne and Grenoble – Lyon issued a joint press release denouncing the late priest for his sexual assault of some fifty children in the 1970s and 80s after two the victims went public.

Ribes’ trademark signature, “RIB”, now taints all his works – stained glass windows, paintings, stations of the cross… The priest from Lyon had worked in dozens of churches.

And now, at the request of a group of victims, the archdiocese of Lyon…