’50 Shades of Grey’ is about abuse of power, not sex

UNITED STATES
National Catholic Reporter

Robert M. Hoatson | Feb. 26, 2015

I am an ex-Christian Brother of Ireland, ex-priest, survivor of sexual abuse, and advocate for thousands of sexual abuse victims for over a decade. Recently, I saw the movie, “50 Shades of Grey,” but not for reasons one might suspect. I saw the movie because a preview I read mentioned that the title character was a victim of childhood sexual abuse. I was not interested in being titillated with images of intimate sexuality, nudity, or pornography. I was most intrigued by how the film would depict the life of a childhood sexual abuse victim, and I was not disappointed.

The movie I saw on opening night in a packed New York City theater was not about sex, despite all one might read about “50 Shades of Grey”. The fifty shades of Christian Grey were unfortunate shadows hovering over a young, handsome man who seemingly had never received any counseling, psychotherapy or sympathy for the sexual violation of his innocence as a boy. The movie was about the “break” in the psyche of Christian which led him to fear intimacy, vulnerability, passion, and friendship. Christian needed an intervention by a compassionate advocate to help him understand how his life had ironically cycled out of control despite his efforts to control everything and everyone.

“50 Shades of Grey” is not a movie about kinky sex. There is hardly anything sexual about the movie. It is about abuse of power and its aftermath. Christian, a wealthy, handsome young man at the peak of his manhood is incapable of developing an intimate and meaningful relationship with a beautiful young woman who tries everything (including becoming somewhat of a sex slave) to get to Christian’s soul. What she did not realize was that her boyfriend’s soul had been murdered as a child and, as a result, he could not emote as most normal human beings can.

I am hoping psychiatrists, psychologists, social workers, and other mental health professionals will view this movie and weigh in on its psycho-social and psycho-sexual implications. The “toys” that Christia possessed (women, cars, helicopters, ropes, chains, handcuffs, etc.) never brought him peace, security, or satisfaction. They exacerbated his profound loneliness, a loneliness that can be traced back to his childhood when an adult’s sexual abuse isolated him from the rest of humanity and made him feel shame and guilt.

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