Which is the real narrative for the riveting theatre of the synod?

ROME
Crux

By John L. Allen Jr.
Associate editor October 22, 2015

ROME — A Synod of Bishops at the Vatican is always a sprawling, multi-headed creature, and that’s certainly been true of the 2015 edition devoted to issues facing the family.

There have been hundreds of speeches, three sets of reports from 13 small working groups, daily press briefings, more media interviews than anyone can possibly track, not to mention a daily avalanche of commentary from a staggering variety of voices.

On Saturday, the synod is expected to adopt a final document. It likely will be a long, complex text, and on some contested points, its language may be intentionally vague in order to attract consensus.

Given all that, in some ways it’s misleading to talk about “the” Synod of Bishops, singular. In terms of perceptions, there are actually several different synods, plural, depending on who’s trying to describe it and what agenda they bring.

As the end nears, three competing narratives seem to be floating around both inside and outside the synod hall. In shorthand fashion, they are:

* The “Everything’s Fine” narrative: This view holds that impressions of clash and rivalries have been exaggerated, that differences in the synod haven’t meant division, and that the bishops are united on a wide range of matters.

* The “Rigged Synod” narrative: This storyline holds that from the beginning, the people in charge of the synod have been pushing a progressive line, and that conservatives have had to fight back to try to level the playing field.

* The “Don’t Like the Pope” narrative: This way of framing the situation posits that concerns about the synod process are artificial, that the event is actually remarkably free and open, so such complaints are really a proxy for opposition to Pope Francis.

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