Through the years, I have worked a lot on how media portrayals reflect changing attitudes towards religion, and in turn do a great deal to shape those attitudes. In fact, I have a piece in the current Christian Century on “Priests on Screen,” looking at some recent European representations of clergy. Given that background, I was very struck by one American production this past year, from a surprising source.
The TV series in question was Mo, starring comedian Mohammed Amer, who also created and produced the show, drawing heavily on his own experiences. Mo (available on Netflix) has been widely praised for its portrayal of immigrant life in Alief, a very multi-cultural working class suburb of Houston. Texas references and in-jokes abound. The show is very good on issues like the use of language, such as the blend of…
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