Marko Rupnik, a Catholic priest, was expelled from the Jesuit order because he’d allegedly abused women. He was later accepted into the diocese in his native Slovenia. Rupnik is also an artist, and his work is on display in churches in Lourdes, Rome and Washington, D.C., among others.
Some of these sites are planning to cover or remove Rupnik’s art; some congregants and clergy disagree with such actions. The Vatican’s communication chief, Paolo Ruffini, for example, has defended the Holy See’s decision to keep Rupnik’s art on his department’s website.
As an art historian, I ask whether the debate is missing the point.
Bridging Eastern and Western European traditions
Rupnik’s art has been honored in the past as part of an effort by the Catholic Church to bridge Eastern and Western European faith traditions. With his heritage as a Slovenian, Rupnik was able to create imagery that blended both traditions. He was chosen…
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