Bubba Weiler’s new play about two altar boys at a crossroads includes several beautiful performances, even when the line between sweetness and treacle blurs.
The Atlantic Theater Company’s Off Broadway main stage is a converted Gothic Revival parish hall. When the Atlantic moved into the hall in the 1990s, they kept its peaked wooden ceiling and air of contemplation. Now, for Bubba Weiler’s play, “The Saviors,” the little theater wants to be a church again.
In Jack Serio’s meticulous production, David Zinn’s set exactly recreates a Roman Catholic chancel: altar, baptismal font, stained-glass windows. Two bustling altar boys — 14-year-old Paul (Julius Rinzel) and 13-year-old Michael (Ivan Howe) — handle the ephemera, sorting bulletins and wielding candle snuffers before and after services. Despite their long white albs, they don’t exactly maintain a holy-of-holies attitude. They’re boys; everything is a race.
One of the waystations in their dash to adulthood is…
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