Lovingly displayed in a windowsill of Elizabeth Ann Murphy’s home in Timonium is a rectangular ceramic sculpture depicting a sailboat tossed on a stormy, turquoise sea. God’s outstretched hands hover over the fragile vessel, a reminder of his constant presence.
Standing near the painted ceramic are three other pieces of art: a figure of the Blessed Virgin Mary, a small wooden carving of Christ carrying his cross, and a little glass rooster – an ever-present symbol of betrayal.
For Murphy, who experienced horrific sexual abuse for three years while a student at Catholic Community School in South Baltimore in the early 1970s, the artwork offers consolation. It’s also a reminder of suffering.
The agony she endured wasn’t just at the hands of John A. Merzbacher, her abuser who is serving four consecutive life terms for his crimes against Murphy. It also came from a church that failed to…
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